今年最初のShimauma nights “新年会” を1月15日(金)に開催します。
一昨年、素晴らしいアートパフォーマンスを披露してくれたデルフィーヌ・デプレとヤニック・ジャケがShimaumaで新作「DOLINE」を発表します。
「Doline」は土壌の
パフォーマンス後、AntiVJのヤニック・ジャケがShimaumaの空間にマッピングインスタレーションを行います。
入場料無料ですが、アーティストへのリスペクトとして投げ銭式で行いたいと思います。
みなさんご協力ありがとうございます!
Shimauma nights ‘Shinnenkai’ will be next Friday, January 15th.
We are excited to welcome back Delphine Depres & Yannick Jacquet for a special audiovisual treat.
「Doline」is the new performance by Swiss artist Delphine Depres where she uses the staging of sand on different states, movements, points of view and ways of listening. It is an extension of her mesmerizing piece「Aral」(which some of you may remember seeing at Shimauma in November of 2014).
Every sound will be produced by capturing tiny noises made by frictions of sand against other materials including sand itself. Delphine has built dedicated object/ instrument/ stage which allow playing sound and images in real-time.
‘Doline’ means a hole in the ground caused by collapse of the surface layer. Sand is the result of billion years of erosion and is now a disappearing resource because of human’s utilization. It’s characterized by its ability to flow, constantly moving, both one and multiple, minuscule and gigantic.
After the performance, we will enjoy a projection mapping installation created by Yannick Jacquet (Anti VJ).
Entrance is free as usual, but we kindly ask the audience to contribute what you can for the artists.
Thank you for your support!
1月15日(金)/ January 15th 2016
20:30 open
21:00 ~ 21:45 DOLINE (Live audio video performance by Delphine Depres)
21:45 ~ 24:00 bar time / projection mapping installation by Yannick Jacquet (Anti VJ)
free entrance / 入場料無料
ARTIST PROFILE
デルフィーヌ・デプレ / DELPHINE DEPRES
ヴィジュアル・アーティスト、ビデオ・ディレクター、パ
昨年のTEF Vol.9にて特別賞を受賞した、スイスに拠点を置くア
Visual artist, video director and performer, Delphine’s research and experimentations are focused on exploring the question of theatricality in projected image.
Using activated video devices, she tries to create a tension between different levels of “realtime” experiences. Movement as well as emptiness and light around shapes visible in actual space as well as in the form of images define the foci of this tension. She manipulates “poor” and “insignificant” materials from the everyday.
http://delphinedepres.net/
ヤニック・ジャケ / YANNICK JACQUET
1980年、ジュネーヴ生まれ。グラフィックデザイナー。現在は主に動画を用いて作品作りを行う。伝統的な上映方式、映像空間を否定するかのように、そこ から逃れるような作品を展開している。特に視聴覚パフォーマンス、インスタレーション、舞台装置の形式を通して作品作りを行う。特にワークインプログレス で制作されるジャケの作品は、建築物と強い関わりを持つ。映像集団「AntiVJ」創設者であり、数々のアーティストをコラボレーションを行っている。
Born in Geneva in 1980, Yannick Jacquet lives and works in Brussels, Belgium.
Originally trained as a graphic artist, he now devotes his time to developing a personal language using video and a wealth of projection techniques.
His work is characterised by a desire to break out of the traditional formats of video-projection and finding ways to integrate video into the performance space. These ideas are developed and performed in the form of audiovisual performances, installations and scenography. Often being « in-situ », his works are strongly influenced by questions linked to architecture. Yannick Jacquet often collaborates with numerous artists, notably with those of the AntiVJ label, of which he’s a founding member.
http://www.legoman.net